

Off-Broadway: Hundred Days (NYTW), Outer Space. The new fellows are Eleanor Burgess, Tearrance Arvelle Chisholm, Shayok Misha Chowdhury, Tatiana Pandiani, Whitney White, and Nia Ostrow Witherspoon.įounded in 1979, New York Theatre Workshop aims to produce plays the expand the boundaries of theatrical form and address current critical issues. Broadway: Natasha, Pierre & the Great Comet of 1812 (Drama Desk Award for Outstanding Sound Design of a Musical). Census Bureau’s projection that there will be no single racial or ethnic majority in the U.S. The theatre also announced six new artistic fellows as part of the 2050 Artistic Fellowship Program, named for the U.S.
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The play is set in Louisiana in 1813 after the state passed from France to the U.S., and four free women of color contemplate their future. Marcus Gardley’s The House That Will Not Stand will follow. Set in 1647 England, the 1976 play follows revolutionaries seeking a new future amid chaos. Jo Bonney will direct.Ī revival of Caryl Churchill’s Light Shining in Buckinghamshire will be next.

The show follows two siblings struggling to balance their Pakistani heritage and their British upbringing. The new year will start with the world premiere of An Ordinary Muslim, by Hammaad Chaudry. Kauffman will direct and Sonya Tayeh will movement-direct. The folk-punk musical explores what would happen if you only had 100 days to live. The evening of Novemmarked the seventh session of our CASEBOOK series, a nine week course guiding a group of NYTW patrons through the creative process of our upcoming folk-punk theatrical event Hundred Days. 213 views, 4 likes, 0 loves, 0 comments, 1 shares, Facebook Watch Videos from New York Theatre Workshop: HUNDRED DAYS on stage. Next up will be Hundred Days, with a book by Shaun and Abigail Bengson and Sarah Gancher and music and lyrics by the Bengsons. CASEBOOK: The Making of Hundred Days - Week 7. We’re looking for 100 donors to make a gift of 25 or more to help us raise 2,500 before the end. The season will open with the New York premiere of Amy Herzog’s Mary Jane, about a single mother in New York struggling to care for her chronically sick child. The intimacy of the show feeds off the intimacy of the theater.NEW YORK CITY: New York Theatre Workshop has announced its 2017-18 season, in which women will direct all the offerings. The Jaeb is a 300-seat theater at the east end of the Straz Center, typically set up cabaret style with tables and chairs. Powerful jams and isolating vocals color the story, with El Beh on cello, Ashley Baier on drums, Barrie Lobo McLain on accordion and the luminous Lindsey Augusta Mercer on keyboard and background vocals. Jo Lampert Biography Off-Broadway: Hundred Days (NYTW), Joan of Arc: Into the Fire (Public Theater, Lortel Nomination), Rimbaud in NY (BAM), New York Animals (New Ohio), Iphigenia in Aulis (CSC. This emotional backdrop is what Abigail brings to bear as she illuminates their all-consuming love and her immense fear that she'll lose it. Abigail imagined meeting the love of her life and soon finding out he only had a hundred days to live. Hundred Days is the story of their whirlwind romance, a project they wrote together and have performed since 2014.Ībigail leads the conversation, confessing to the audience early on what she didn't immediately confess to Shaun when they met: Something tragic and awful happened in her family when she was 15.Īt the same time, she describes a premonition, something that hit her during that trauma but never left her consciousness. On their second date, they moved in together. The Bengsons met in New York City as young musicians and bonded in a booth at a diner in Queens.
